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The then stalwarts and
luminaries like Rabindranath Tagore; Mahatma Gandhi Dr. Abanindranath
Tagore; Chakrabarty Rajagopalachari, Dr. Sarvapalli Radhakrishnan, Dr.
Stella Cramrisch etc., all expressed their gratitude to Shri Gurusaday
Dutt, (I. C. S. during British India), for his untiring endeavour to revitalize
the obsolescent folk art of undivided Bengal which he collected from the
remote parts of the province. They were of the same opinion that without
the enthusiasm and energy of Shri Gurusaday Dutt, a heaven favour harbinger,
the Herculean task of revival of our ancient culture could not have been
done. It was he, who himself took up a great work and gave an impetus
to the neo-Bengal school of art which others might well emulate. |
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Brief
History: During his tenure as District Collector in the remote
parts of the then Bengal, Shri Gurusaday Dutt (1882-1941), ICS, developed
deep admiration understanding and interest for the rural folks and their
rustic arts. To preserve, revive and revitalize the dying folk art traditions
he collected between 1929 and 1939 about 2325 exquisite specimens including
several heirlooms. As bequeathed by Shri Dutt, the whole collection, after
his death in 1941, was handed over to the Bengal Bratachari Society which
was also founded by him sometime earlier to preserve the Bengali folk
traditions and culture.
In the year 1961, the Museum building was opened by Dr. Bidhan Chandra Ray, the then Chief Minister of West Bengal and on the 8th day of February, 1963, Professor Humayun Kabir, the then Union Minister of Education, Govt. of India declared the galleries open for the people. In the year 1984, the management of the Museum was transferred
to the Gurusaday Dutt Folk Art Society, which has undertaken its development
with the financial support from the Ministry of Textile, Government of
India under an Agreement held on May, 23, 1984 between the President of
India and the Bengal Bratachari Society. As per item no. 4 of the said
Agreement, Government of India is to give all financial requirements to
upkeep and maintain the Museum. Initially the grant, in question, were
released through the Ministry of Textiles, Office of the Development Commissioner
(Handicrafts), National Handicrafts & Handloom Museum from the year
1984-1985 to 1991-1992. Subsequently the grants were released directly
from the Development Commissioner (Handicrafts), Office of the Development
Commissioner (Handicrafts), Ministry of Textiles, Government of India,
New Delhi since 1992-1993. |
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A new gallery
is coming up in the Annex Building that shall house the personal belongings
of Shri Gurusady Dutta. |
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| Documentation:
All the objects have been physically verified and properly accessed
in Accession Register and as well as Classified Register. The preparations
of the catalogue cards are in progress. Catalogues of the woodcarvings
and Kalighat paintings have also been printed as a final documentation
of the collection. |
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Rotational Exhibition: In addition, rare
objects of folk art and crafts preserved in the reserve collection along
with new acquisitions are also displayed every month at the entrance of
the museum as 'Exhibit of the Month', depending on the nature of the month
and the ritual & festivals held in these months. This new feature
of rotational exhibition was introduced from 1984. |
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Annex
Building: Because of scarcity of space, only one fifth of the
total collections are kept on display. Construction of an Annex Building
has been under process with the financial assistance from the National
Cultural Fund received from the Department of Culture, Government of India
and the rest from Development Commissioner (Handicrafts), New Delhi. |
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Curator: The present Curator is Dr. Bijan Kumar Mondal Telefax: +91-33-2453-5972 |
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| | Events
| Exhibiotions |
Past Activities |
Conservation | Documentation
| | Library | IT and Photocopy | Annex Building | Garden | | About the Museum | |
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